循规蹈矩的“天使”或离经判道的“妖妇”——从《洪堡的礼物》看贝娄的性别政治无意识  

Obedient "Angle" or Rebellious "Madwoman":On Bellow's Sexual Political Unconsciousness Showed in Humboldt's Gift

作　　者：司文会[1] 潘利锋[1] 

机构地区：[1]湖南科技学院外语系,湖南永州425100

出　　处：《宜宾学院学报》2010年第9期55-58,共4页Journal of Yibin University

基　　金：2009年湖南省哲学社会科学基金项目"罗兰.巴特符号学思想研究"(09YBA067);2009年湖南省教育厅科研项目"广告英语的符号象似性及其修辞功能研究"(09C454);2009年湖南科技学院科研课题"<洪堡的礼物>的性别政治研究"(09xkytc062)

摘　　要：学术界对《洪堡的礼物》中的女性形象关注不足,小说中的性别政治隐而不现。贝娄塑造凯丝琳、丹妮丝和莱娜达三位女性形象,折射出男性作家根深蒂固的性别歧视,作者性别政治无意识立场。尽管贝娄对当代社会有深刻的考量,尤其是对种族问题、犹太人的身份认同问题和知识分子的角色问题的研究独辟蹊径,但是作为男权文化的代表,他却不能摆脱根深蒂固的男权思想的束缚。In the academic circle,the feminist study on Humboldt＇s Gift has not got enough attention,and Bellow＇s sexual politics showed by this novel is hidden.Taking perspectives of sexual politics and feminism,it is significant to analyze the reasons that Bellow describs Kathleen as ＂angle＂ and Denise and Renata as ＂madwoman＂ and tries to disclose his sexual political unconsciousness.Obviously,although he has a unique understanding of modern society,especially in racial problems,Jews identification and social roles of intellectuals,he cannot get rid of the deep-rooted prejudice against women with male chauvinism as a representive of male chauvinism culture.

关 键 词：循规蹈矩 离经叛道 性别政治 

分 类 号：I712.074[文学—其他各国文学]