从形态语义看木浮雕与现代设计及数控加工  

The Relationship of Wood Embossment and Modern Production based on Configuration Semantics

作　　者：陈先茹[1] 郁舒兰[1] 

机构地区：[1]南京林业大学,江苏南京210037

出　　处：《装备制造技术》2010年第9期112-114,共3页Equipment Manufacturing Technology

基　　金：江苏省教育科学"十一五规划"课题<造就国际视野高素质人才的创新实验教学体系的构建与质量研究>(D/2009/01/073)

摘　　要：以木雕与现代设计的关系为基点,探讨这种关系更深一层的理论基础,从而更好地指导设计,指明全文的理论基调,对木浮雕本身进行形态语义分析,然后开始对它与现代设计的关系进行形态语义分析,最后从多个方面简单论述了"木浮雕"符号在现代设计中的应用,并从数控加工的角度进一步探讨了木浮雕是如何应用于现代生产的。The paper discusses a deeper theory base on the ground of the relationship of woodcarving and modern design,thus guiding a better design.The first part points out the key,then doing configuration semantics to wood embossment.Thirdly,the thesis begins to do configuration semantics to the relationship of wood embossment and modern design.Finally,it dissertates the usage of sign＂wood embossment＂simply from some aspects,and discusses the how wood embossment is used on modern production from the Computerized Numerical Control perspective.

关 键 词：数控加工 木浮雕 形态语义 符号化 现代生产设计 

分 类 号：TB47[一般工业技术—工业设计]