《白噪音》中的自然、环境和文化  

Nature,Environment and Culture in White Noise

作　　者：张雅萍[1] 

机构地区：[1]中国人民大学外国语学院

出　　处：《世界文学评论（长江文艺出版社）》2010年第2期145-148,共4页The World Literature Criticism

摘　　要：美国作家唐.德里罗在小说《白噪音》中描写的上世纪八十年代美国中产阶级的生存环境处于失衡状态。在该作品中,德里罗对人造环境浓墨重彩,对自然环境只作了极少的描写,反映了自然的边缘状态。此外,该小说通过一些地名的隐喻、能指与所指断裂等语言艺术手段,展现了后工业社会中文化对环境的构建,表现了文化对自然的吞噬,以及人与本真自然的疏离。后现代文明已经改变了自然,人们生活在文化建构的环境之中。The living environment of the middle-class family in last century＇ s early 80＇ s, which is depicted by American writer, Don DeLillo, in White Noise, is in an imbalanced state. The writer mainly focuses on the man-made environment with little description of the natural scenery, which indicates the marginality of nature. In addition, saturated with metaphors and the displacement of the signifier and the signified, the text suggests a culturally constructed environment in postmodern society, which represents the encroachment of nature by culture and the detachment of humans from nature. In this way, postmodern civilization has altered nature, with people living in a culturally constructed environment.

关 键 词：《白噪音》 德里罗 自然 环境 文化 

分 类 号：I712.074[文学—其他各国文学]