守护与等待的虚妄——张翎《金山》中“碉楼”意象文化解读  

An Illusion of Guarding and Waiting——Cultural Interpretations of "Barbican" Image in "Gold Mountain"Written by Zhangling

作　　者：黄贤君[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《韩山师范学院学报》2010年第5期56-59,共4页Journal of Hanshan Normal University

摘　　要："碉楼"是加拿大华人作家张翎在2009年推出的长篇小说《金山》中一个值得关注的意象载体。小说内的"碉楼"是解读其小说的一个重要窗口。从文化维度讲,碉楼是一个维系传统文化的城堡,也是一个传统文化不断流失的墓碑;从性别维度讲,它是一面维护女性的安全围墙,也是一个让女性虚妄等待的囚笼。"碉楼"成为意蕴丰富的具有性别与文化内涵的张力结构。＂Barbican＂ is a remarkable carrier of image,from a full-length novel named ＂Gold Mountain＂,writen in 2009 by Zhangling,an ethnic Canadian Chinese author.In this novel the ＂Barbican＂ is an important window of her novel.From the cultural dimension,the Barbican is a castle that can hold together the traditional culture;it is also a gravestone which continually loses traditional culture.From a gender dimension,it is a safety wall to vindicate woman;it is also a waiting cage for female vanity.＂Barbican＂ becomes the tension structure that means the rich connotations of gender and culture.

关 键 词：《金山》 传统守护 家族运命 女性等待 悲剧 

分 类 号：I206.7[文学—中国文学]