异国锦绣河山与人文之美的故园情结——抗美援朝文学论  

The Chinese Complex in Depicting Korean Landscape and Humanity——On the Korean War Literature

作　　者：常彬[1] 

机构地区：[1]河北大学文学院,河北保定071002

出　　处：《河北大学学报（哲学社会科学版）》2010年第6期12-18,共7页Journal of Hebei University(Philosophy and Social Science)

基　　金：国家社科基金规划项目<抗美援朝文学叙事及史料整理>(10BZW94);河北省社科基金规划项目<抗美援朝文学叙事及史料整理>(HB10QWX044)

摘　　要：政治叙事与战争叙事是抗美援朝文学的表现主旨。但这场战争的域外性质,又为抗美援朝文学提供了异域想象的另一种空间,域外风情叙事是其显在特点——对朝鲜锦绣河山和人文之美的描摹状写,无处不渗透着浓郁的中国传统文化意象和审美情趣。中国情结尤其浓墨重彩于书写朝鲜妇女儿童,她们与中国军人构成"亲人"关系的想象认定,照见中国军人的亲情缺位、亲缘期待和角色定位。游子情结、游客心态的观察视角或明或暗地隐现于文本各处,无不牵扯着叙事者回望祖国的故土情绪,回旋着自我的情感诉求和中华文化的精神底蕴,是中国作家身处异乡而始终"乡音未改"的民族心理和故园情结的执着体现。The Korean War literature in China emphasized on the political narrative and the war narrative. However, because the war took place in Korea Peninsula, it provided a new angle of view on imagining Korea, namely, the Chinese literature depicted the foreign landscapes and fine humanity. Even so, it still embodied dense Chinese cultural complex and elements. The Korean women and children were imagined as mothers, wives, lovers, sons/daughters, as well as the authors/narrators taken themselves into the tourists in their subconsciousness. So many works subconsciously embodied the homesickness.

关 键 词：抗美援朝文学 山河人文美 故园情结 

分 类 号：I206.7[文学—中国文学]