从《捣练图》看唐代工笔仕女画色彩的意象性特征  

The Decorative Aesthetics of Color on Tang Dynasty's Meticulous Beauty Portrait

作　　者：陈乃惠[1] 

机构地区：[1]闽江学院美术学院,福建福州350108

出　　处：《惠州学院学报》2010年第5期90-93,108,共5页Journal of Huizhou University

摘　　要：唐代工笔仕女画的色彩在特定的色彩理论、社会文化背景下形成,具有时代、民族特征的审美取向。它具有"随类赋彩"的特点,其鲜明的意象性与"光"、"气"以及"笔"和"工"的密切关系,以色彩的象征性、类型化、平面效应表现出"焕烂求备"的色彩关,以及"热逸"的色彩审美追求反映出唐代工笔仕女画的色彩艺术品位。Developed by unique aesthetic pursuit of color and color theory system,the coloration of Tang Dynasty＇s meticulous beauty portrait,which boosts a model of successive Chinese brushwork figure,have very deep skills and a high artistic quality.It mainly reflects in strongly subjective coloration,taking both advantages of the characteristic beauty of materials and painting techniques and skillfully using of a variety of contrasts in brightness,warm and cool colors,hue and purity.Overall,the painting style is warm,majestic and magnificent noble.People can enjoy the decorative beauty of subjective coloration,dramatic color contrast,and strong graphic sense,clean -ordered and well-formed.

关 键 词：唐代 工笔仕女画 色彩 意象性 特征 

分 类 号：J205[艺术—美术]