论报告文学创作的趋同性和异质性  

On the Convergence and Heterogeneity of Reportage Creation

作　　者：陈小妹[1] 龚举善[2,3] 

机构地区：[1]郧阳师范学院学报编辑部,编辑讲师丹江口442700 [2]郧阳师范学院中文系 [3]武汉大学文学院,硕士生导师十堰442000

出　　处：《浙江社会科学》2010年第11期101-107,共7页Zhejiang Social Sciences

基　　金：教育部人文社科重大课题子项目的阶段性成果(项目批准号:05JJD750.11-44007)

摘　　要：报告文学走过了百年历程,而今正面临向纵深发展的关键节点。毋庸讳言,无论是报告文学的创作还是理论批评,都存在着较为明显的混乱和认识误区。因此,有必要从理论上探讨报告文学的写作特点和规律。本文认为,这主要有两个方面:一是以内容的客观性、思想的批判性、文本的透明性为核心要素的趋同性;二是由反映对象的丰富性、创作主体的差异性、表现方式的多样性协同而成的异质性。厘清二者的内涵、特点、要求以及相互之间的关系,对于更好地认识并创作报告文学,有着重要的意义。The course of reportage literature has been more than one hundred years,and now the reportage literature steps into the critical moment when it develops further in depth.Both its creation and theoretical criticism have been apparent ontological disorder and cognitive misconceptions in truth.Therefore,it is necessary to discuss writing characteristics and principles of the reportage literature from the point of theory.This paper holds the view that it mainly depends on two factors.One is the convergence of the core elements as the objectivity of contents,the criticism of the subjective thoughts and the transparency of textual generation.The other is the heterogeneity resulted from the combination of the abundance of reflected objects,the difference of subjective creation and the variety of expressions.It is of vital significance for people's understanding and creation of the reportage literature to know the two factors' connotations,features,requirements and their relationship.

关 键 词：报告文学 趋同性 异质性 

分 类 号：I207.5[文学—中国文学]