西汉彩绘陶俑的美学研究  

Aesthetic Analysis of Painted Pottery Figurines in Western Han Dynasty

作　　者：陈莉[1] 

机构地区：[1]中国传媒大学艺术研究院,北京100024

出　　处：《唐都学刊》2010年第6期22-25,共4页Tangdu Journal

基　　金：陕西省教育厅科学研究计划项目"西汉帝陵文化中的美学精神研究"(08JK182)

摘　　要：随着西汉考古工作的进展,大量彩绘陶俑展现在世人面前,丰富着人们对汉代美学的认识。西汉彩绘陶俑具有鲜明的时代特征,它不同于茂陵石雕的雄浑与奔放,也不同于东汉陶俑的动态十足和浓厚的民间生活情趣。西汉彩绘陶俑是王侯贵族审美情趣的体现,它呈现出小巧、柔婉、细腻的审美特征,体现了宁静、含蓄、内敛的艺术精神,形成了汉代美学的柔婉之美。西汉彩绘陶俑折射着汉初无为而治的时代精神,具有楚文化浪漫、飘逸的精神气质。With the fast development of archeological work,many painted pottery figurines in the Western Han Dynasty came flooding,which enriches people＇s understanding of the aesthetics of the Han dynasty.The painted pottery figurines of the Han dynasty are typical of its time,different from the forceful and expressive stone carvings of the Maoling Mausoleum,and the dynamic and delightful terra cottas of the Dong Han Dynasty.The painted pottery figurines of the Han dynasty reflect the aesthetic taste of noblemen,featured by delicacy,softness and fineness,representing quietness,implication and introversion,symbolizing the mild beauty of aesthetics of Han Dynasty.The painted pottery figurines of the Han dynasty also reflect the time spirit of non-interference,with a romantic and elegant spirit of Chu Culture.

关 键 词：西汉 彩绘陶俑 艺术精神 

分 类 号：J309.341[艺术—美术]