论林语堂女子镜像的男性视阈与男人命名  

On the masculine perspective and men’ nomenclature of Lin Yutang’s women images

作　　者：吴毓鸣[1] 

机构地区：[1]福建工程学院文化传播系,福建福州350108

出　　处：《福建工程学院学报》2010年第5期441-445,共5页Journal of Fujian University of Technology

基　　金：福建工程学院院级课题(GY-S09024)

摘　　要：林语堂塑造了一系列的女性形象,成为女性文学研究者关注的对象,其中不乏推崇者,赞其有"女性意识"。聚焦林语堂笔下的女子镜像,其道德评判大相径庭,情感审美大异其趣,隐匿着男性视阈与男人命名。文章据此立论,厘清林语堂女性思想的外在肌理与内在脉象,对林语堂的女性思想提出个人见解。Lin Yutang created a number of woman images,who are subjects of women in literature study. Quite a number of supporters credit him for ＂women sense＂. By examining Lin Yutang’s women images,it is indicated that his moral judgment for the women are highly differentiated in emotional aesthetics,which embodies masculine perspective and men’s nomenclature. By studying the outer tissue and inner veins of Lin Yutang’s women ideology,the article reveals the writer’s women ideology.

关 键 词：林语堂 女子镜像 自然角色 男性视阈 

分 类 号：I206.6[文学—中国文学]