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作 者:刘江[1]
出 处:《天津外国语学院学报》2010年第6期50-55,共6页Journal Of Tianjin Foreign Studies University
基 金:中央高校基本科研业务费专项资金资助(JKQ2009038)
摘 要:叙事学理论为解码圣经文学开辟了全新的视角,但传统的圣经叙事艺术研究通常只聚焦圣经文本的叙事语法,而忽视了对其叙事交流情景模式的建构。圣经叙事交流情景所具有的宗教和文学的二维性,揭示了圣经叙事"存在"与"成为"之间的关系。在圣经三位一体的叙事交流过程中,其叙事交流参与者的功能也因此别具一格。The study of biblical narrative art offers a brand new approach to decode the Bible as literature. However, the traditional perspectives mainly focus on the narrative grammar of the biblical text, little attention has been paid to the situation of its narrative communication. The narrative situation in the Bible is blessed with the bi -dimensionality as both a religious and literary text, and it reveals the relationship between the "being" and "becoming" of the biblical narration. In a Trinitarian narrative communication process, the functions of the participants have a style of their own.
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