试论王国维文学批评的学科性建构  

A Tentative Exposition on the Disciplinary Construction of Wang Guowei's Literary Criticisms

作　　者：康梅钧[1] 

机构地区：[1]井冈山大学人文学院,江西吉安343009

出　　处：《井冈山大学学报（社会科学版）》2010年第6期101-107,共7页Journal of Jinggangshan University(Social Sciences)

摘　　要：中国近代以来,王国维文学批评在中国文学批评史上最具现代性特征。其学科性文学批评体系主要体现在:确立了文学的审美"独立"论,摆脱了"依经立义"的教化论文学批评方式;开创了文学批评的"新学语",他从叔本华哲学美学那里借用了不少批评概念,并对之进行中国化改造,使其学术话语既中又西,具有学术的新颖性。此外,还运用了哲学美学、文学心理学、文学历史学等跨学科方法研究一切文学现象。Wang Guowei＇s literary criticism system is characterized in its most modernity in Chinese history of literary criticism.Its disciplinary features are reflected in following aspects.He establishes ＂independent＂ literary aesthetics,thus breaking away from traditional ＂doctrine-based＂ predicant literary criticism;he creates ＂new terms＂ for Chinese literary criticism by borrowing Schopenhauerian aesthetic concepts like ＂desire＂,＂suffering＂,＂beauty＂ and then adapting them to Chinese,hence building up his own academically novel terms that combine West and Chinese insights.He also conducts inter-disciplinary studies of all literary phenomena in perspectives of philosophical aesthetics,literary psychology,literary history researches and others.

关 键 词：王国维 文学批评 学科性 

分 类 号：I206.5[文学—中国文学]