老舍及京味文学的中国形象元素  

作　　者：刘勇[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《学术月刊》2010年第11期100-102,共3页Academic Monthly

摘　　要：刘勇认为,老舍及其京味文学包含着丰富的"中国形象"的元素,其一是平民意识与崇高精神的融合;其二是传统国情与现实关怀的融合;其三是敦厚幽默与犀利愤激的融合;其四是民族性与世界性的融合。Wu Xiuming holds that the creating of the image of China began as early as in the period of May 4th Movement and continue till today. It went together with the cultural reconstruction. The current mission of the Chinese writers is to construct a new ＂image of China＂ with depth and width by inheriting the literary tradition of the May 4th Movement. Huang Jian proposes that the construction of the image of China in May 4th culture had took three different ways, i. e. , rational-realistic, romantic and introspect ways, for creating new value and new meaning. Chen Guo＇en believes that Lu Xun＇s writings are closely related with the image of China, therefore, Lu Xun＇s classical significance would be unfolded along with the modernized development of Chinese society. Liu Yong points out that Lao She＇s Beijing style writings contain abundant elements of the image of China with the combi- nation of civil consciousness and spiritual sublimation, of traditional status quo and realistic concern, of humor and anger, and of nationality and global views.

关 键 词：京味文学 中国形象 老舍 北京文化 元素 市民社会 民族特性 风俗民情 

分 类 号：G127.1[文化科学]