简析电影《一一》中的空间语法  

On Spaces of the Film "Yi yi:A One and a Two"

作　　者：何李新[1] 

机构地区：[1]绵阳师范学院新闻与传媒学院,四川绵阳621000

出　　处：《黄石理工学院学报（人文社科版）》2010年第5期34-37,共4页Journal of Huangshi Institute of Technology:Humanities and Social Sciences

摘　　要：台湾导演杨德昌在电影《一一》中完成了对主体与空间辨证存在的激进思考。传统共同体空间虽然在压抑中分崩离析,但现代都市空间对个体的隐形掌控只会变本加厉。去现实化的视觉虚拟空间使个体获得空前自由的同时,也将鲜活的世界抽空为肤浅的体验,导致年轻一代的自戕与迷失。或许正是这种种空间的缺陷,才激发我们更加努力地去想象一个乌托邦的世界。这不仅仅是对一个地点的规划,也是对人的在世情景的理想表达。Edward Yang completed a radical thinking about subject and space in the film Yi yi： A One and a Two. Although the traditional community space disintegrated in constraining, but the modernity metropolis space still controlled individual intensely. With giving people unprecedented freedom, the visual virtual space changed vivid world to superficial experience, resulting in young pcople＇s suicide and lost. Perhaps it is the very flaws that we are inspired to dream a utopian world desperately. This is not just a scheme for certain place, but an expression for the ideal in the living situation.

关 键 词：《一一》 传统共同体空间 现代都市空间 视觉虚拟空间 主体 

分 类 号：J905[艺术—电影电视艺术]