建筑艺术隐喻初论  

The Metaphorical Research on Architecture

作　　者：王炳社[1] 

机构地区：[1]渭南师范学院,陕西渭南714000

出　　处：《西安建筑科技大学学报（社会科学版）》2010年第4期33-36,共4页Journal of Xi'an University of Architecture & Technology(Social Science Edition)

基　　金：教育部人文社会科学研究规划基金项目(07JA760007);陕西省教育厅科学研究计划项目(08JK040)阶段性研究成果

摘　　要：建筑被誉为是凝固的音乐,所以它是在变化中给人以隐喻启迪的。建筑的隐喻主要体现在布局、色彩、参差等方面。布局是实现建筑隐喻价值的重要步骤,主要表现为逻辑性演绎、有序化排列、体现民族风俗等手段上。色彩本身就具有隐喻价值,一般或体现国家、民族的审美价值观,或暗示某时代和传统的观念,或体现宗教观念和意识,或暗含地域风俗、经济状况。参差作为隐喻的手段和存在,要么传递某种宗教或人文理念,要么隐含某种文化内蕴,要么体现某种境界的追求,要么具有某种抚慰、蕴藉、疗伤的内涵。Known as the solidified music, the architecture enlightens us metaphorically. The metaphor of architecture is mainly presented by the layout, the color and other variations. The layout is one of the essential measures to achieve metaphorical value of architecture, including mainly the logic deduction, the orderly arrangement and the observation of national customs. The color, containing metaphoric value in itself, may suggest an aesthetic values of a country or a nation, imply the traditional concept of a period, indicate the religious belief and idea, and demonstrate the regional customs and economy. As the means and existence of metaphor, the variations not only transfer the religious and humanistic ideals and also contain a kind of cultural connotation to pursue a certain realm of comfort, restrain and therapy.

关 键 词：建筑 隐喻 布局 色彩 参差 

分 类 号：TU-026[建筑科学—建筑理论]