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出 处:《吉林师范大学学报(人文社会科学版)》2010年第6期9-11,共3页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:中央统战部华夏英才基金第十批资助项目
摘 要:布瓦洛被称为十七世纪法国新古典主义的立法者和代言人。他最重要的文艺理论专著《诗的艺术》被誉为新古典主义文艺理论的百科全书,堪称"法典"。布瓦洛将理性视为艺术作品的灵魂,在作品的内容与表达方式上追求典丽、雅洁。因此他批判喜剧艺术中出现的低俗现象,认为喜剧作为艺术,应具备一定的美感,并且在使人获得轻松快乐的同时提升人的精神境界。本文将从喜剧的题材、表现手法、人物塑造和语言四个方面对布瓦洛的喜剧艺术思想进行探究。Boileau was called the legislator and spokesmen of Neoclassicism in 17th century French.His most important book of theory of literature and art was called The Art of Poetry that was called the encyclopedia of the theory of literature and art in Neoclassicism and "CODEX".Boileau treated the rationality as soul of art works and pursued elegance in content and phraseology,so he criticized the vulgar phenomenon in the Comedy that should have aesthetics as art.The comedy made someone gain relaxing and promote spiritual shackles.The paper will explore Boileaub’s ideas of the comedy and art from subject matter,technology of expression,characterization and language.
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