作为俄罗斯后现代主义小说叙事策略的游戏——以《恰巴耶夫与普斯托塔》为例  

Interpreting the Game as Narrative Tactics Deployed in the Russian Postmodernist Texts by Analyzing Chapaev and Pustota

作　　者：郑永旺[1] 

机构地区：[1]黑龙江大学俄语语言文学研究中心,哈尔滨150080

出　　处：《外语学刊》2010年第6期121-125,共5页Foreign Language Research

基　　金：黑龙江省教育厅人文社科项目"俄罗斯后现代主义小说的叙事策略研究"(11532z006)的阶段性成果

摘　　要：俄罗斯后现代文本和游戏之间的关系可以用一种解构精神加以阐释,即文本借助人物对宏大叙事的戏谑来确定游戏具有一种使世界碎片化的功能。然而,仅仅将游戏理解为后现代文本中特有的解构冲动远远不够。通过分析深藏佛教元素的后现代小说《恰巴耶夫与普斯托塔》,作者认为,游戏不仅仅传达主人公对现实的态度,而且是作者将游戏当成一种后现代小说的叙事策略。在这种策略关照下,文本本身就是一个游戏。The relationship between the Russian postmodernist texts and the game can be interpreted in light of the deconstruction spirit.In the texts the character will make fun of the grand narratives to prove that the game performs its function of fragmentation of the world.However,the game is by far more than a typical deconstructive impulse of the postmodernism.In interpretation of Chapaev and Pustota,the postmodernist novel with Buddhist elements deeply hidden,the author believes that the game does not only convey the hero＇s attitude to reality but,more importantly,also tactics that the novelist deploys in his narration.In such enlightenment,the literary narration itself is a game.

关 键 词：后现代主义文学 游戏 《恰巴耶夫与普斯托塔》 

分 类 号：I106[文学—世界文学]