莫高窟西魏北周装饰图案研究  

Decorative pattern design of the Western Wei Dynasty and the Northern Zhou Dynasty in Mogao Grottoes

作　　者：李敏[1] 

机构地区：[1]浙江教育学院艺术学院,浙江杭州310012

出　　处：《敦煌研究》2010年第1期14-18,127,共6页Dunhuang Research

基　　金：国家社会科学基金西部项目(04XZS009)

摘　　要：西魏北周装饰图案具有鲜明的时代特征,内容上不仅有佛教纹样题材,而且加进众多中国传统动植物造型;不仅有西域传来的凹凸明暗画法,又融入了多层次的晕染法,用笔流畅奔放,笔法由北凉北魏简洁、鲜明、质朴、奔放风格逐渐转向细腻柔和、层次多变;色彩清雅而华丽,新的色彩构成关系具有了新的时代特征,这是敦煌装饰图案在风格上更为成熟和民族化的转变。The decorative pattern designs in the period of the Western Wei and the Northern Zhou Dynasty have distinctive times feature.For there are not only Buddhist signification patterns but also Chinese traditional patterns of animals and plantings as well.Painters applied Turkic art techniques of stucco molding to pictures and layered painter to a vignette effect.Thus gives the paintings forming a new sharp of the times in an elegant and gorgeous style and made Dunhuang Arts to be in a transformation period of nationalization and mature in style.

关 键 词：西魏 北周 图案 装饰特征 

分 类 号：K879.2[历史地理—考古学及博物馆学]