唐宋书法观念研究  

Research into Concepts of Calligraphy in Tang and Song Dynasties

作　　者：常春[1] 

机构地区：[1]西安美术学院书法教育研究中心,陕西西安710065

出　　处：《唐都学刊》2010年第3期30-33,共4页Tangdu Journal

基　　金：陕西省教育厅2009年度专项科研计划"中国古代女性书法文化史"项目(09JK167);2009年度国家社科基金艺术学项目(09CF084)

摘　　要：唐代、宋代的书法观念是中国古代封建社会书法观念的典型代表,二者之间又有颇为明显的异同之处。正如常人所说的"唐书法"就是说唐代书法对于字体规范、风格法度有着严密的内在要求,其实由于科举进仕的需要以及宋人文化素养的普通提升,宋代文人对"法"也有着自觉地遵循。同时,在宋代还大量出现了"游与艺"、"以书为乐"等更为轻松的书法观念。The concepts of calligraphy in Tang and Song Dynasties represented those in the ancient Chinese feudal society,yet there existed remarkable differences.It was believed that Tang Calligraphy had very strict rules about font styles and specifications.Afterwards,in reaction to the demand for imperial examinations and promotion of Song people＇s artistic appreciation,scholars in the Song dynasty followed the rules accordingly.Moreover,in the Song dynasty,more concepts appeared.

关 键 词：唐代 宋代 书法观念 

分 类 号：J292.24[艺术—美术]