当“看到”打败“听到”:论景观在传媒时代的特殊地位  

When "Seeing" Beats "Hearing":On Special Status of Spectacle in the Mass-Media Era

作　　者：邵培仁[1] 

机构地区：[1]浙江大学传播研究所,浙江杭州310028

出　　处：《浙江师范大学学报（社会科学版）》2010年第6期1-5,共5页Journal of Zhejiang Normal University(Social Sciences)

基　　金：浙江省哲学社会科学基金项目重大项目"媒介地理与媒介生态研究"(06JDCB001ZD)

摘　　要：景观是不同时期地球形态的集合。在文化地理学中,景观既有自然的、物质的形式和形态,又是指附加在自然景观上的人类活动形态,景观是由感性的可观性影像建构起来的。在作为以影像生产和影像消费为主的景观社会里,景观不仅具有意识形态功能,而且已经成为现今人们主导性的生活模式。媒介每天都在提供可供大众消费的景观,以其丰富的影像世界构筑起景观社会,同时媒介也不得不受制于景观社会的商业逻辑的诱惑,走上了一条偏离自己本真的批判性和创造性的歧路。Formerly referring to the collection of configurations of the earth in different geological periods,spectacle in cultural geography involves not only its natural and physical forms but also the human activities attached thereto.Building on visual images,it not only bears ideological functions in a society of spectacle characterized by the production and consumption of various images,but also becomes the dominant life style of people today.The mass media provide a large number of spectacles every day to be consumed,thereby contributing to the establishment of the society of spectacle;meanwhile,tempted by the commercialism therein,they tend to deviate from their start point of criticalness and creativity.

关 键 词：媒介地理 地方 地方感 地方性 媒介空间 文化记忆 

分 类 号：G206[文化科学—传播学]