试析杨必《名利场》翻译中的“化境”效果  

Comments on Yang Bi's sublimation translation of Vanity Fair

作　　者：叶楠[1,2] 

机构地区：[1]赣南师范学院外国语学院,江西赣州341000 [2]江西理工大学应用科学学院,江西赣州341000

出　　处：《宜春学院学报》2010年第11期167-168,171,共3页Journal of Yichun University

摘　　要：钱钟书先生提出的"化境"说——即"文学翻译的最高标准是‘化’",在我国译界可谓"一石激起千层浪",且被不着边际的拔高和神化。究竟,"化境"说是"翻译的理想"还是"理想的翻译",何谓化境之作,引起各学者纷纷探讨。而被许多译家奉为楷模的杨必译《名利场》正是文学翻译"化境"的体现,其中词语层面的细致处理和句子结构的成功转换,充分彰显了译者高超的翻译手法及臻于化境的艺术手段,值得借鉴。Mr.Qian Zhongshu proposed that ＂sublimation（huajing） is the highest standard of translation＂,which aroused controversy among the scholars over ＂sublimation＂ hypothesis is ＂the translator＇s ideal＂ or ＂an ideal translation＂,what is a sublimated translation work,etc.However,Yang Bi＇s translation version of Vanity Fair was universally accepted as a sublimated translation work,which was meticulous in words choosing and succeeded in structure converting.The translation skills used in the work are worth using for reference.

关 键 词：化境 选词 结构转换 

分 类 号：H315.9[语言文字—英语]