论小说《宠儿》的意识流审美意蕴  

On the Aesthetic Appeal of Stream-of-Consciousness in the Novel Beloved

作　　者：刘世红[1] 何江胜[1] 谢晓苑[1] 

机构地区：[1]南京航空航天大学外国语学院,江苏南京210016

出　　处：《西安外国语大学学报》2010年第4期62-65,68,共5页Journal of Xi’an International Studies University

基　　金：南京航空航天大学基本科研业务费专项科研项目青年科技创新基金1012-56W1070资助成果;项目名称:"英美女性文学创作特征研究";课题编号:W1070-WY

摘　　要：1993年诺贝尔文学奖得主莫里森的代表作《宠儿》突破传统文学创作常规,炉火纯青地运用多重叙述视角、时间蒙太奇、自由联想、内心独白等多种意识流创作手法,以艺术的真实刻画了罪恶的美国奴隶制给黑人造成的心灵创伤以及他们独特的精神世界,展现了主题与内容完美结合的审美意蕴。The novel Beloved is the masterpiece of Toni Morrison,Nobel laureate in literature in 1993 and a contemporary American black female writer.Breaking through the rules of literary tradition,it ingeniously employs some strategies typical of stream-of-consciousness,such as multiple narrative angles,time montage,free association,and interior monologue.The novel reveals the black people＇s interior pain inflicted on them by evil American slavery and their unique psychological world with the artistic reality,which gains an esthetic appeal due to the perfect combination of the theme and the mode..

关 键 词：《宠儿》 意识流 多重叙述视角 时间蒙太奇 自由联想 内心独白 

分 类 号：I721.074[文学—其他各国文学]