传统油画语言中色层关系的建构  

On the Construction of Color Layers in Traditional Oil Painting Languages

作　　者：江严冰[1] 

机构地区：[1]南通大学艺术学院,江苏南通226007

出　　处：《连云港师范高等专科学校学报》2010年第3期92-94,共3页Journal of Lianyungang Normal College

摘　　要：由于在油性材料上没有形成成熟的语言表现体系,因此限制了油画在中国的发展。文章从油画表现语言的色层建构角度出发,探析了油画材料的演变,并通过分析绘画大师的作画方法,认为油画的色层建构是油画的代表性绘画语言。The lack of a mature language expressing system in oil painting materials has become the major obstacle to the development of oil painting in China.Analyzing the evolvement of oil painting materials and the painting techniques of masters in the painting history,we would find out that the construction of color layers is the most representative language of oil painting.

关 键 词：丹培拉 油画 光学灰 色层 

分 类 号：J213.6[艺术—美术]