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作 者:王辉斌[1]
出 处:《贵州师范学院学报》2010年第11期1-7,共7页Journal of Guizhou Education University
基 金:湖北省教育厅2008年重点项目"两宋诗歌史的文化观照"成果之一(2008d127)
摘 要:"连章体"作为一种具有"结构性内涵"的诗歌体式,由于其"分之可以独立成章,合则能成为一个有机整体"的写作学特点,而自肇始之日始,即倍受诗人们的喜爱与雅好。唐代以"诗圣"杜甫为代表的一系列"连章体"的创作,于宋、金、元诗人以深远影响。而宋、金、元诗人在"连章体"创作中所形成的诸多特点,所获得的诸多成就,不仅对于本时期诗歌的繁荣与发展起到了重要的推动作用,而且还直接影响着明、清时期的"连章体"创作。由于明、清诗人们的不懈努力,这一时期的"连章体"创作虽然紧承宋、金、元之后,但却开创了文学史上一个无与伦比的创作高潮期,并使之呈现出一种繁花似锦的"连章体"新格局,从而扩大了诗体学的表现领域,丰富了诗体学的审美内容。"The linkable stanza style" as a type of styles with a "structural connotation" in poem writing is,from the very beginning,popular with poets because of its characteristics of "separable and linkable stanzas".The creation of poems in such a style by poets as represented by DU Fu has a far-reaching influence on poets in the dynasties of Song,Jin and Yuan.And the characteristics of poems in such a style by poets in Song,Jin and Yuan dynasties not only played an important role in pushing forward the prosperity and development of poem writing in those periods,but directly influenced the poem writing in the dynasties of Ming and Qing.Owing to the unremitting efforts made by poets in Ming and Qing dynasties,the creation of poems in such a style reached an incomparable stage with a flourishing scene of a new pattern of the style of "linkable stanzas " in poem writing,thus broadening the field of expression,enriching the aesthetic content of poetry.
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