从历史到影视艺术——多维视角下的新《三国》解读  

From History to Visual Arts——Multidimensional Perspective in the Interpretation of the Three Kingdoms

作　　者：许俊妮[1] 马玉林[1] 

机构地区：[1]河北大学,河北保定071000

出　　处：《山东行政学院山东省经济管理干部学院学报》2010年第6期149-151,共3页Journal of Shandong Administrative College and Shandong Economic Management Personnel College

摘　　要：针对不少观众提出的新《三国》严重偏离史实的说法,其实从史学观点出发,电视剧新《三国》还是比较尊重历史的,表现在:它忠实地"填补"了历史空白;不能被完全还原的三国历史是不断人为地修饰的,新《三国》的改编无可厚非;新兴学科影视史学也不能为《三国》作历史学立论。从影视艺术上讲,新《三国》的创作思路、角色塑造和故事情节安排上是比较成功的。所以说《三国》是艺术的三国,而不是历史的三国。For many viewers for the new ＂Three Kingdoms＂ serious deviation from the historical facts of the argument,in fact,from the historical point of view,new drama ＂Three Kingdoms＂ is more respect for history,show in： it is faithful to ＂fill＂ gaps in history.The history of the three countries can not be completely restored and it continues to artificially manipulate and decoration.New ＂Three Kingdoms＂ adaptation is nothing wrong.The new subject ＂ historiophoty ＂ can not be subject to ＂three Kingdoms ＂ for the history argument.New ＂Three Kingdoms＂ adaptation is nothing wrong;emerging film and television history can not be subject to ＂three Kingdoms＂ for the history argument.Speaking from the visual arts,the new ＂Three Kingdoms＂ creative ideas create characters and story plot is more successful.So the ＂Three Kingdoms＂ is the art of the three countries,rather than the history of the Three Kingdoms.

关 键 词：历史 影视艺术 新《三国》 《三国演义》 《三国志》 

分 类 号：J905[艺术—电影电视艺术]