胡风与中国现代文学的“鲁迅传统”  

Hu Feng and the "Lu Xun's Tradition" in Chinese Modern Literature

作　　者：李怡[1] 

机构地区：[1]北京师范大学文学院,北京100875

出　　处：《南京师范大学文学院学报》2010年第4期84-88,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

基　　金：国家社科基金"中国现代文学批评概念与中外文化交流";(批准号08BZW052);高等学校全国优秀博士学位论文作者专项资金项目"中国现代文学的新传统研究"(编号:200512)

摘　　要：胡风人生与艺术追求的独特性首先可概括为一种"透彻的真实"。这种"透彻"来自于对现代中国最底层的富有质地的体验。这与其称之为"现实主义",还不如根据他坚守文学的社会介入需要,努力推动直面底层生存真实的追求,将之总结为文学上的"社会派"。胡风文学追求的成型在很大的程度上得益于他对鲁迅式的独特"社会派"文学传统的认同和体验,是这一文学的壮观景致让他从中汲取了巨大的力量。当然,较之于鲁迅本人,作为文学思想家的胡风似乎承受了更多的理论的压力,也依然存在着某种无奈的对真相的"牺牲"。The unique character of Hu Feng＇s life and art pursuing can be summarized as a kind of ＂penetrating truthfulness＂,which comes from his substantial experience of the lowest level of modern Chinese society.It should be concluded as a ＂school of society＂ in literature,based on his persistence on literature＇s interference into society and his endeavor of facing directly to the reality of bottom level social existence,rather than being just called ＂realism＂.The forming of Hu＇s literary pursuing is greatly benefited from his identification with Lu Xun＇s particular tradition of ＂the school of society＂.It is just from this grandiose literary scenery Hu has drawn a huge energy.However,compared with Lu Xun himself,Hu as a literary theorist seems bear more theoretic pressure,and there is also certain reluctant ＂sacrifice＂ of truthfulness in his work.

关 键 词：胡风 社会派 鲁迅传统 

分 类 号：I206.6[文学—中国文学]