复杂人性的质询——论《赎罪》的解构叙事效应  

Inquiry into the Complexity of Humanity:On the Effect of Deconstructive Narration in Atonement

作　　者：黄一畅[1] 

机构地区：[1]重庆工商大学外语学院,重庆400067

出　　处：《外国语》2010年第6期89-94,共6页Journal of Foreign Languages

摘　　要：英国当代著名作家伊恩.麦克尤恩(Ian McEwan)的新世纪力作《赎罪》(Atonement)自2001年问世以来便受到学术界和大众传媒的广泛关注,被誉为"当代叙事信念经典"评论家多从小说的后经典叙事结构和小说阐发的叙事伦理来探询《赎罪》的深层意义,却忽视了文本内含的解构叙事技巧对于叙述者的叙事意图的削弱和颠覆。本文拟从美国解构主义叙事学代表人物J.希利斯.米勒(J.Hillis Miller)关于叙事作品中叙事线条复杂性以及反讽叙事的基本观点入手,揭示《赎罪》中叙事话语的解构功能,论证麦克尤恩运用解构叙事手法以实现其人性探讨的终极书写动机。The Contemporary British writer Inn McEwan＇ s first novel in the new century Atonement has been highly concerned by academia and mass media since its publication in 2001. When it is praised as the ＂contemporary classic of mesmerizing narrative conviction＂, its apparent reflexivity also leads to the labels of postmodernism and historical metafiction. The critics incline to search for the deep meaning of Atonement from the angle of post-classic narrative structure or narrative ethics, ignoring the debilitation and subversion to the narrative intention brought by the deeonstruetive strategies of narration hiding in the text. Based on the theoretic viewpoints of multiplications of lines and irony in narration, which is proposed by the representative of American Deeonstructive Narratologists J. Hillis Miller, this thesis attempts to disclose the deconstructive function of narrative discourse so as to claim that Ian McEwan＇ s deconstructive narration attributes to his profound cerebration of humanity.

关 键 词：叙事线条 反讽 自反性 解构 

分 类 号：I561[文学—其他各国文学]