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机构地区:[1]南京大学海外教育学院 [2]国防科技大学
出 处:《外国文学研究》2010年第6期130-137,共8页Foreign Literature Studies
基 金:国家社科基金后期资助项目"文化视域中的翻译文学"【项目编号:09FWW001】的前期成果
摘 要:作为操纵文学作品改写的主要因素,意识形态并非是以暴力的方式控制改写人的行为,而是以温和的面孔活跃于改写活动的各个环节,进而改写、颠覆或重塑某种价值观、文化观和诗学观,达到为主流意识形态服务的目的。本文以意识形态理论为依据,以外国文学作品中的经典颂诗、史诗和剧作诗的改写现象为切入点,从文化意识形态、文学审美意识形态和媒介意识形态等三个层面来探讨形形色色的意识形态对文学改写的制控作用、方式和意义,阐述文学改写的实质以及文学改写与意识形态的关系。As a primary factor in the manipulation of rewriting literary works,ideology is proved not to be controlling rewriters in a violent way;as a matter of fact,it has its influence exerted subtly at every stage of rewriting,in order that it may serve the dominant ideologies through rewriting,overturning or remolding certain value,and cultural and poetic views.With ideological theories as its basis,and the rewriting of classical odes,epics and poems of drama as its leading examples,this paper addresses the ideological manipulation of rewriting literary works,the means through which ideology functions,and the significance of the manipulation from three perspectives:the cultural ideology,the aesthetic ideology and the media ideology.It intends to state the nature of literary rewriting and the relationship between literary rewriting and ideology.
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