中唐文坛的夷夏之辨  

"Distinguish the Han Nationality from the Minority Nationalities" in the Literary Arena in the Mid-Tang Dynasty

作　　者：李建华[1] 

机构地区：[1]宁波大学文学院,浙江宁波315211

出　　处：《云南民族大学学报（哲学社会科学版）》2011年第1期123-128,共6页Journal of Yunnan Minzu University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金项目"唐代山东士族的复兴与文学思潮"(项目编号:09CZW027)阶段成果

摘　　要：安史之乱以后的中唐,文坛再度兴起复古主义思潮。古文运动、新乐府运动、韩孟诗派皆在复古的旗号下追求创新。中唐文坛的复古主义思潮与安史之乱以后的夷夏之辨有密切关系,胡汉关系的破坏导致汉民族本位文化的强化,传统儒家文化中的"夷夏大防"和"尊王攘夷"的观点得到推崇。文化上的夷夏之辨反映在文学上,带来了文坛的复古主义思潮。民族之间的冲突和融合最终使得文化趋同,少数民族的汉化也使得文化上的夷夏之辨变得更为复杂。The doctrine of ＂returning to the ancients＂ in the literary arena in the Mid -Tang Dynasty re -emerged after the An -Shi Rebellion. The Ancient Chinese Prose Movement, the New Verse Movement and Han - Meng Poetry School all pursued innovation in the name of ＂returning to the ancients＂. This is relevant to ＂Distinguish the Han Nationality from the Minority Nationalities＂. The de- struction of the good relationship between Hu and Han led to the strengthening of Han - based culture, the opinion of ＂Chinese protec- tion against foreign countries＂ and ＂respect for the monarch and resistance against Yi＂ in the traditional Confucian culture was advoca- ted, which found expression in literature, together with the trend of ＂returning to the ancients＂. The inter - ethnic conflict and integra- tion led to acculturation while the Hanization of minority groups became more complicated.

关 键 词：夷夏之辨 古文运动 新乐府运动 韩孟诗派 复古主义 

分 类 号：I206.2[文学—中国文学]