论宋代的旧题乐府及其新变  

On Yuefu about Old Subjects and Its Varieties in Song Dynasty

作　　者：王辉斌[1] 

机构地区：[1]襄樊学院文学院,湖北襄樊441053

出　　处：《四川文理学院学报》2011年第1期83-89,共7页Sichuan University of Arts and Science Journal

基　　金：湖北省教育厅重点项目<宋元诗歌史的文化观照>(2008b127)

摘　　要：旧题乐府是宋代乐府诗的两大类别之一。宋代的旧题乐府,由于历史等方面的原因,直至北宋中期才得以繁荣昌盛。以梅尧臣、文彦博、张载等人为代表的北宋旧题乐府,主要存在着两种情况:一是以旧题写新事,一是以旧题写旧事。南宋由于"靖康耻"的现实原因,以关注社会现实、充满爱国激情的旧题乐府,即成为了乐府诗史上的一道风景线。具有鲜明的时代特征,变乐府旧题之正格为变格,在形式上以五、七言的齐言体为主,并借用近体诗中的某些技法以进行旧题乐府的创作,是宋代旧题乐府表现在新变方面的几个主要特点。Yuefu （a form of poetry） about old subjects was one of the two types of Yuefu in Song Dynasty. Out of various reasons, namely the history, this poetry had not been flowering until the middle time of Bei Song Dynasty. Yuefu about old subjects, whose mas- ters included Mei Yao - then, Wen Yan - bo, Zhang Zai, mainly had two forms, that is, it expressed either new events with former subject or former events with former subjects. Because of the ＂Shame of Jingkang＂, Yuefu poems became beautiful scenery with an ob- vious time characters of focuses on reality and patriotic passions. There appeared varieties of this Yuefu. Namely, the usual rhyme scheme had changed, each line mainly had five or seven characters and some skills in the seemingly poetry were borrowed to create it.

关 键 词：宋代 旧题乐府 社会现实 新变特点 

分 类 号：I222.6[文学—中国文学]