南朝文人乐府诗意象论  

On the Imagine of Literati' Yuefu Songs during the Southern Dynasties

作　　者：刘加夫[1] 

机构地区：[1]山东师范大学文学院齐鲁文化中心,山东济南250014

出　　处：《山东师范大学学报（人文社会科学版）》2010年第6期21-25,共5页Journal of Shandong Normal University(Humanities and Social Sciences)

基　　金：山东省文化艺术科学重点项目"魏晋南北朝文人乐府诗史论"(2007098)

摘　　要：从本质上讲,南朝文人乐府诗不同于非乐府诗的写作特点在于它的虚拟性。非乐府诗所写的内容多为作者亲身经历的事件和当下感知的情境;乐府诗则因其写作的拟代传统而形成对当下情事的疏离,所写内容多出于臆想和虚构。这种虚假化的写作方式对南朝文人乐府诗意象的艺术特征产生了重要影响。"拟"使意象具有递相沿袭的特点,"虚"则形成了意象的装饰性和象征性特征。同时,随着诗坛风尚在齐梁时代的变迁,南朝文人乐府诗中也表现出了某些写实的倾向,这些诗中的意象多是具体可感的。The image in literati Yuefu songs during the Southern Dynasties is characteristic of ornamentation and symbolization, springing from the production of invention of Yuefu songs. Because of the ubiquitous imitating atmosphere in the production of Yuefu songs, the image in literati Yuefu songs during the Southern Dynasties also shows its following characters. In addition, in some literati＂ Yuefu songs during the Southern Dynasties, the concrete and sensible quality of images is quite evident.

关 键 词：南朝文人乐府诗 意象 虚拟 装饰和象征 

分 类 号：I207.22[文学—中国文学]