论南朝艳情诗女性描写的娱乐化与物化倾向  

The Trend of Amusement and Corporality in the Eroticism Poesy from the Nan Dynasty

作　　者：郭建勋[1] 陈娜[1] 

机构地区：[1]湖南大学文学院,湖南长沙410082

出　　处：《湖南大学学报（社会科学版）》2011年第1期75-80,共6页Journal of Hunan University(Social Sciences)

基　　金：湖南省社会科学基金项目(07YB32)

摘　　要：艳情诗指以华艳辞藻、玩赏心态吟咏女性的诗篇。南朝此类诗作,对汉魏以来传统女性诗歌题材进行了全面的娱乐性改造,也开创了大量新的表现领域。南朝艳情诗的女性叙写,因为失去了伦理教化意味与政治托喻功能,而演变为单纯吟咏美色,体现艳情趣味的娱乐之作。而诗作中泛叙的女性,也因缺乏"人"的个性和情感而沦为物品的聚合体或物化的审美对象。The eroticism poesy was the writing that depicting women with joy and flamboyant rhetorics. This sort of poesy from the Nan Dynasty changed the poesy depicting women＇s conventional matter from the Han and Wei Dynasty, and also started a mass of new depiction fields. Women-depicting in the e- roticism poesy from the Nan Dynasty had got rid of ethic meaning and political metaphor function and turned into amusement writing that represented just good looks and erotic interest. The women being described similarly were short of human＇s individuality, so they became the aggregation being made up of articles or the aesthetic object with the trend of corporality.

关 键 词：南朝艳情诗 女性描写 娱乐化 物化 

分 类 号：I206.2[文学—中国文学]