文化诗学观照下的中国当代新诗  

On the Chinese Modern Poetry in the Cultural Poetics' Context

作　　者：曹山柯[1] 

机构地区：[1]杭州师范大学外国语学院

出　　处：《学术研究》2011年第1期136-144,160,共9页Academic Research

摘　　要：中国当代新诗在英、美诗歌的影响下,其语言、形式和风格都发生了很大的变化,呈现出诗歌创作上自由性、随意性和口语化的趋势。本文通过对中国当代新诗的讨论、研究,认为:中国当代新诗在不断边缘化的同时其地位也在滑落;诗人、读者和批评家都面临着创作与阅读的困惑、创作与审美的困惑以及艺术标准失范的困惑;中国当代新诗的出路在于努力实现诗性本质的回归。Under the influence of British and American poetic thought, the current Chinese poetry has changed greatly in expressions, forms and styles, resulting in a trend of freedom, random and colloquialism in the poem writing. After having the Chinese modern poetry discussed, the present paper holds the view points that, a)while the contemporary Chinese poetry decentralized, its social position becomes more and more inferior; b)poets, readers and critics are all faced with the bewilderment of writing and reading, writing-and-aesthetic taste as well as the distortion of artistic standards; c)the only way for the Chinese new poetry is to return to its originally real natural state.

关 键 词：文化诗学 中国当代新诗 边缘化与困惑 诗性的回归 

分 类 号：I226[文学—中国文学]