论重下属和弦的理论意义与价值  

On the Theoretical Meaning and Value of Dual Subdominant Chords

作　　者：马东风[1] 

机构地区：[1]徐州师范大学音乐学院,江苏徐州221116

出　　处：《徐州师范大学学报（哲学社会科学版）》2011年第1期74-77,共4页Journal of Xuzhou Normal University(Philosophy and Social Sciences Edition)

摘　　要：由于传统和声学理论对于重属和弦的青睐与偏爱,学术界长期忽视对于重下属和弦的研究与观照。虽然近些年来稍有好转,但仍有一部分教科书或学者否定重下属和弦的存在,这是不客观的。重属与重下属和弦的存在是阴阳对称的辩证实体,是支持与肯定调性中心稳定的有力支柱,是调性的发展与和声色彩对比的必要手段,在音乐创作的实践中有着重要的应用价值与审美价值。所以,正确地认识重下属和弦,对我们辩证地看待和声发展历史具有重要意义。Due to the preference to the dual dominant chords of the traditional harmonics theory,the academic circles have a prolonged neglect on the research and concern about the dual subdominant chords.Although the status has been improved slightly in the recent years,part of the textbooks and the scholars still deny the existence of the dual subdominant chords,which is not objective.The dual dominant chords and dual subdominant chords do exist as a symmetrical and dialectical entity.This existence is the powerful supports to affirm the stability of the tonality center,and also the necessary means of the tonal development and the harmonic color＇s contrast,which have great theoretical meaning and applied value in music creation practice.So the correct understanding on its existence is an impartial attitude to have a dialectical view on the harmonic history.

关 键 词：重属和弦 重下属和弦 理论意义 应用价值 

分 类 号：J614.1[艺术—音乐]