新世纪新生代藏族小说的西藏书写——以次仁罗布、多吉卓嘎的创作为例  

Portrayal of Tibet by the New Generation Tibetan Novels in 21st Century——based on Case Studies of Tsering Norbu and Dorje Zhoigar's Literature

作　　者：王泉[1] 

机构地区：[1]湖南城市学院中文系,湖南益阳413000

出　　处：《井冈山大学学报（社会科学版）》2011年第1期76-80,86,共6页Journal of Jinggangshan University(Social Sciences)

基　　金：国家社科基金项目"中国当代文学的西藏书写"(项目编号:09BZW059)

摘　　要：新世纪以来,以次仁罗布和多吉卓嘎为代表的新生代藏族作家在西藏书写中自觉地体现出文化身份的认同,在传统与现代的交相辉映下蕴含着丰富的人性内涵。次仁罗布的中、短篇小说在关注下层民众的生活中审视了藏传佛教的生死轮回、因果报应的观念给他们带来的影响。多吉卓嘎的长篇小说则书写了藏族女性在多元文化的影响下女性意识的觉醒过程,呈现出女性主义的立场。In the new century a new generation of Tibetan novelists,represented by Tsering Norbu and Dorje Zhoigar,are engaged in the portraying of Tibet.Their portrayals reflect their recognition of their cultural identity and they in the light of tradition and modernity implicate rich humanity cores.Tsering Norbu＇s short and middle-length novels focus on the lives of lower class people,scrutinizing the influences on them from the ideas of Sipay Korlo and Karmic Retribution in Tibetan Buddhism.Dorje Zhoigar＇s long-length novel portrays the process of Tibetan women＇s awakening of feminine consciousness under the plural cultural influences,then signaling a feminist stand.

关 键 词：次仁罗布 多吉卓嘎 西藏 文化身份 女性意识 

分 类 号：I247[文学—中国文学]