诗性人格与桂馥《后四声猿》杂剧  

Personality of Poem and Gui Fu's "Hou Si Sheng Yuan"

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作  者:杜桂萍[1] 

机构地区:[1]黑龙江大学中国古代戏曲与宋金文化研究中心,黑龙江哈尔滨150080

出  处:《齐鲁学刊》2011年第1期124-130,共7页Qilu Journal

基  金:国家社科基金项目(05BZW026);教育部新世纪优秀人才支持计划项目(NCET-08-0673)

摘  要:桂馥是清代乾嘉时期一位博学多才且建树颇丰的学者型文人,其晚年创作的杂剧《后四声猿》取法明代徐渭《四声猿》,演绎白居易、李贺、苏轼、陆游的生活故事,细腻表达了自己天涯沦落之际内心世界的愤懑、感伤与无奈;诗意生存与人生追求、文学创作与经学研究于桂馥生命过程中的消长、互动,让《后四声猿》突破了乾嘉学术观念及其操作实践之于作家个性的某种拘束,彰显了他作为诗人的情怀与审美能力。Gui Fu was a learned and accomplished scholar who lived from Qianlong Reign to Jiaqing Reign of Qing Dynasty.The Poetic Drama "Hou Si Sheng Yuan" produced in his old life followed the example of Xu Wei's "Si Sheng Yuan" in Ming Dynasty,deduced the life stories from Bai Juyi,Li He,Su Shi and Lu You,and expressed delicately the inner world emotions of depression,sorrow helpless during his wandering life;Poetic existence versus lifetime ambition,literary work versus Confucian classics study,went along with Gui Fu's life more or less and interactively,made "Hou Si Sheng Yuan" breakthrough the academic idea and practices in that period which were somehow constraining scholars' personality,and manifesting his mood and aesthetics capability as a poet.

关 键 词:桂馥 后四声猿 乾嘉杂剧 诗性人格 

分 类 号:I206.2[文学—中国文学]

 

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