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作 者:许宁云[1]
出 处:《海南大学学报(人文社会科学版)》2010年第6期86-90,共5页Journal of Hainan University (Humanities & Social Sciences)
基 金:上海市教委支出预算项目(教预07-45);上海市教委科研创新项目(09YS264)
摘 要:探讨将构式语法研究范围扩大至语篇的必要性和可行性,并将stman(2005年)的语篇构式理论应用于诗歌语篇的回指确认。诗歌也是一种语篇构式类型,诗歌构式的主要功能范畴是韵律和节奏,它们虽是诗歌语篇的形式成分,却对应着与其匹配的稳定的意义。这种配对的形式-意义关系形成了诗歌的构式义,它作为心理构体储存于认知主体的深层记忆中。在解读诗歌语篇时,可激活诗歌构式的赋义机制,启用构式义,从而促进诗句之间的语义关联,支持语篇中零形回指语的有效确认。This paper analyzes the necessity and feasibility of integrating discourse phenomena into Construction Grammar,then applies Stman(2005)'s Discourse Construction Theory to anaphora resolution in poetic discourse.It holds that poem is a type of discourse construction,and the primary functional category of poetic construction is rhythm which,as a formal element of poetic discourse,matches with it a stable meaning component.This form-meaning pair constitutes the construction meaning which,as a psychological construct,is stored in memory,and in the production of poetic discourse,the meaning assignment mechanism of poetic construction is activated,by the application of the construction meaning,to facilitate the semantic relevance between verses,thus assist in resolving zero anaphors in poetic discourse.
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