东南亚教堂艺术的表现形式与本土化特点  

Study on the Art of Churches Construction in Southeast:Cultural Communication and Localization

作　　者：吴杰伟[1] 

机构地区：[1]北京大学外国语学院,北京100871

出　　处：《南洋问题研究》2010年第4期70-77,91,共9页Southeast Asian Affairs

基　　金：国家社会科学基金艺术学项目"东南亚宗教艺术的特点及其在保持社会稳定中的作用"(09CA068)

摘　　要：作为西方文化的典型代表,基督教在东南亚社会中具有深厚而长远的影响。本文重点选取菲律宾和越南的天主教堂作为研究对象,集中讨论巴洛克式和哥特式建筑风格在东南亚地区教堂中的体现。笔者认为,第一,教堂建筑为了适应东南亚的地理环境,进行了大量外形上的变化。建造教堂的工匠又在建筑的细节部分加入了许多本土文化的元素。第二,殖民统治结束以后,教堂已经成为西方文化的象征,在现代东南亚社会中,教堂已经成为本土文化特定的表现形式。Churches in Southeast Asia were the symbol of western culture and colonization in this region. In this paper, the author focused on the baroque style churches in the Philippines and the gothic style churches in Vietnam to show the spread of Catholic in Southeast Asia. The author believed that the churches changed the construction shape to fit the natural environment in this area. The local people added many national cultural essentials to the details of the decoration in churches. After the colony, the churches became the local cultural character instead of the foreign influence. In the conclusion of the paper, the author also discussed the indirect transmission of western cultural spread in Southeast Asia.

关 键 词：教堂 中转站 文化交流 巴洛克式 哥特式 

分 类 号：B977[哲学宗教—宗教学]