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作 者:周星[1]
机构地区:[1]北京师范大学艺术与传媒学院,北京100875
出 处:《艺术百家》2011年第1期60-65,共6页Hundred Schools In Arts
基 金:2007年度国家社科基金重大课题"我国文化软实力发展战略研究"(项目批准号:07&ZD037)阶段性成果;国家社科基金艺术学2009年度课题资助项目"改革开放以来中国电影经验与发展策略研究"(项目批准号:09BC023)阶段性成果之一
摘 要:21世纪中国电影围绕着三个社会历史发展阶段形成三个不同的起伏变化:入世阶段低迷徘徊、中国电影诞生百年时缓慢爬升、新中国成立60周年之时的大踏步高调突进。在表现相态和观念认知上,中国电影今非昔比:已经超常规发展跃动非常;已经成为国家文化发展战略的重要组成部分;已经成为大众感兴趣的文化娱乐对象;已经具有产业确立的规模。电影作为文化软实力呈现将更需要提升精神质量和情感境界。In 21st century,Chinese film has experienced three different transformations in three different development stages.It wandered when entering in international world,it slowly evolved when Chinese film celebrated its 100th birthday,and it advanced rapidly in 2009.Nowadays,Chinese film has made a great progress either in artistic representation or conceptual cognition.Concretely speaking,it not only has been developing itself very actively,and has been a significant element included into the developmental strategy of national culture,but also has been an cultural amusement appealing to the mass,and has been established some certain of scale in its industry.As a cultural soft power,it is necessary for film to promote its spiritual quality and emotional connotation.
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