悬崖边上的树——对汪曾祺小说民间文化形态的一种考察  

A Tree on the Edge of the Cliff:Review on the Folk-Culture Pattern of Wangzengqi's Novels

作　　者：文学武[1] 

机构地区：[1]上海交通大学人文学院,上海200240

出　　处：《河南大学学报（社会科学版）》2011年第1期122-126,共5页Journal of Henan University(Social Sciences）

基　　金：教育部人文社科规划项目"多维文化视域下的京派文学研究"(10YJA751086)阶段性成果;上海交通大学文科创新项目"东西方文化视野下的京派文学研究"(09TS07)阶段性成果

摘　　要：作为一个风格迥异、成就显著的作家,汪曾祺的小说创作,一开始就和国家权利意识文化保持着一定程度的距离。他着力建构的是一个充满自由和生命活力的民间文化形态,由此也带来了其美学风格上冲淡平和的特征,在20世纪中国文学空间中彰显了独有的价值和魅力。As a distinguished writer with a different style,Wangzenqi attracted public attention at the early stage of his literary life,and hence became a hot research topic for a long time in the New Period.Wangzenqi＇s writing keeps distance with culture of awareness of the state authority,he focuses on free,vigorous folk-culture,thus forms his own unique aesthetic style of prosaicness,and presents his own value and charm in the Chinese literature of the 20th century.

关 键 词：汪曾祺 国家权利意识 民间文化形态 美学品格 

分 类 号：I206.7[文学—中国文学]