沉潜中的灵魂——论“中间代”诗歌的艺术向度  

Soul in the Stillness:On the Artistic Dimensions of "Middle Generation" Poetry

作　　者：邵波[1] 曹亭[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《南京理工大学学报（社会科学版）》2011年第1期26-30,共5页Journal of Nanjing University of Science and Technology：Social Sciences

基　　金：国家社会科学基金项目"‘个人化写作’--1990年代先锋诗学的建构与对话"(08BZW065)的阶段性成果

摘　　要：1990年代以降,由于"中间代"诗人和研究者共同的努力,"中间代"诗歌也逐步走出历史的遮蔽,以丰富多样的文本世界吸引住诗坛的目光。他们秉承诗歌艺术的多元化旨向,拓宽了"及物"写作的表现空间,以口语语感的平滑流动,描摹日常生活的意趣,并汲取各种文体的优长,打造圆润、纯熟的诗艺理想。From the 1990s on, with a rich variety of texts, the ＂middle generation＂ poetry gradually emerged from obscurity and drew public attention, thanks to the mutual efforts of the ＂middle generation＂ poets and researchers. Following diversified poetic orientations, they broaden the performance space of physical writing, and trace beauty in daily life with a smooth flow of colloquial language. They also take the advantages of different styles to realize their tender, mellow and pure poetic ideal.

关 键 词：“中间代”诗歌 口语化 包容性 

分 类 号：I107.25[文学—世界文学]