北方“正统”与江南“变体”——论明七子在清初传承的两条主线  

The North orthodoxy and the south variate——The two directions of the spread of the seven poet of the Ming Dynasty in the early Qing dynasty

作　　者：白一瑾[1] 

机构地区：[1]北京大学中文系,北京100871

出　　处：《河南师范大学学报（哲学社会科学版）》2010年第6期180-183,共4页Journal of Henan Normal University(Philosophy and Social Sciences)

摘　　要：明七子系产生于北方的文学流派,具有鲜明的北方地域文化属性。以王铎、薛所蕴、刘正宗"京师三大家"为代表的清初北方诗人,在传承七子诗风时,强调北方地域文化特征,抗拒江南文化的影响,更具正统色彩。而明清之际兴起于江南的云间派,则大量引入江南地域文化,实系七子的变体。The seven poet of the Ming Dynasty is a literary sect appeared in the north,which has a distinct northern cultural identity.The north poet in the early Qing Dynasty represented by Wangduo,XueSuoyun and LiuZhengzong stressed the northern cultural identity and resisted the influence of southern culture when they carried on the poetry of the seven poet of the Ming Dynasty.The Yunjian poetry sect rised in the south introduced lots of southern culture.Acturally they were the variate of the seven poet of the Ming Dynasty.

关 键 词：明七子 地域文化 云间派 “京师三大家” 

分 类 号：I206.2[文学—中国文学]