庄谐与复调——论王小波小说文体的狂欢化  

Serio and Polyphony——On the Carnivalized Style of Wang Xiaobo’s Fiction

作　　者：刘承云[1] 

机构地区：[1]重庆文理学院学报编辑部,重庆402160

出　　处：《重庆理工大学学报（社会科学）》2010年第12期116-120,共5页Journal of Chongqing University of Technology（Social Science）

基　　金：重庆文理学院科研项目"王小波小说的狂欢化研究"(Z2006WC07)的成果之一

摘　　要：从巴赫金的狂欢化诗学观察,王小波的小说文体具有典型的狂欢化特征。在文体风格上,他的小说寓庄于谐,恣肆戏谑,与多数研究者所说的"黑色幽默"并不一致,而更符合巴赫金所说的庄谐体。在小说结构的多层次和小说主题的多重性上,也非常类似于巴赫金所说的复调小说。此外,形成王小波小说文体风格的精神根源,也与狂欢化文体的内在特性贯通一致。By Bakhtin’s Carnival Poetry, Wang Xiaobo’s fiction has the carnival features typically. The style of his fiction is humorous, unrestrained banter, and is not the same as most of the researchers described as ＂black humor＂, but more in line with Serio as Bakhtin said. In the novel structure of multi-level and the theme of multiplicity, it is also very similar to the polyphonic novel as Bakhtin said. Besides, the spiritual root forming Wang Xiaobo’s novel style is in line with the inherent properties of carnivalized style.

关 键 词：王小波 文体 狂欢化 庄谐体 复调 

分 类 号：I207.4[文学—中国文学]