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作 者:李木子[1]
出 处:《安徽理工大学学报(社会科学版)》2010年第4期98-103,共6页Journal of Anhui University of Science and Technology:Social Science
基 金:教育部人文社会科学研究青年基金资助项目(09YJC760008)
摘 要:中国古典艺术学和现代城市设计理论中都曾发展出较为成熟的意象理论。对于城市滨水景观的设计可以综合、借鉴上述理论,突出水体、边界、节点、标志物和路线等各意象元素的个性、结构和意蕴,同时更要发挥各意象元素间巧妙配合、相互映衬的综合审美效应,以不断丰富、扩大观赏者的审美体验。这样才能创造出一个人工与天然妙合无垠、空间与时间神奇臻一的美丽胜境。Fairy mature image theories have been developed in China's classical art study and modern urban design theory,which can be summarized and referred to in the landscape design of urban waterfront areas.Specifically,not only are image elements of personality,structure and implication like waters,edge,node,landmark and path highlighted but also an ingenious configuration and silhouetting is to be brought into full play in order to constantly enrich and expand the viewers' aesthetic experience.Only in this way can a realm of magical beauty be created,which perfectly blends artificialness with natural landscape and integrates space and time.
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