论华夏古典悲剧《牡丹亭》叙事范式的审美表征  

On the Aesthetic Feature of the Narrative Model of the Chinese Classical Tragedy The Peony Pavilion

作　　者：张鹏飞[1] 

机构地区：[1]亳州师范高等专科学校中文系,副教授安徽蒙城233500

出　　处：《玉林师范学院学报》2010年第6期60-64,共5页Journal of Yulin Normal University

基　　金：国家级社科基金艺术学项目(07DD19);安徽省A类重点学科资助课题;安徽省教育厅人文社科研究项目基金课题(2009SK482)"黄梅戏改革与传承研究"阶段性成果

摘　　要：《牡丹亭》悲剧主人公杜丽娘因情成梦、因梦生情、为情而生、殉情而死的曲折情感经历,主要是借助超现实的想象加以实施并蕴藉着关爱"至情",体认着浪漫主义特质的叙事表征。可以说,汤显祖以神奇笔触演绎的人鬼之恋、起死回生、神异梦幻的爱情故事不仅是对人生伤痛的一种自我安慰,更是对生命挚爱的某种执著求索,从而使悲剧"大团圆"的结局始终笼罩着虚幻的、慰籍的、凄凉的审美情韵。The leading character Du Liniang,in The Peony Pavilion,a Chinese classical tragedy,experienced a wavy emotion： dream about love,pursue love,and die of love.Such a winding sentiment mainly draws support from the ultra reality imagination and Romanism spirit.This is the narrative attribute of The Peony Pavilion.It can be said that Tang Xianzu,the author of The Peony Pavilion,depicted a gods and ghosts illusion love story by his mysterious brushwork,which is not only a consolation on his life grief of one kind,but also a kind of rigid seeking for love.This causes tragic＂happy ending＂in The Peony Pavilion shrouded by an illusionary,consolatory and miserable aesthetic air.

关 键 词：《牡丹亭》 古典悲剧 叙事范式 审美表征 

分 类 号：I207.3[文学—中国文学]