传统 突破 妥协——《迟桂花》女性形象概说  

Tradition,Breakthrough,and Compromise——Analysis of the Feminine Image of Sweet-scented Osmanthus in Belated Bloom

作　　者：叶俊[1] 管水仙[2] 

机构地区：[1]长江大学文学院,湖北荆州434023 [2]长江大学外国语学院,湖北荆州434023

出　　处：《河北科技师范学院学报（社会科学版）》2010年第4期93-96,共4页Journal of Hebei Normal University of Science & Technology(Social Sciences)

摘　　要：五四运动以来,中国的女性地位开始提高。郁达夫小说《迟桂花》完美地向我们展示了20世纪二三十年代中国的女性形象。小说的女主人公可谓当时女性的缩影,她们受害于传统,在传统中突破,又在突破中妥协。理想与现实的落差、新旧价值观的对峙,加深了女性内心的分裂。女性进步与保守的思想共存,并在不同的时期因为不同的人和事而相斗争,造成了传统女性生存的苦闷和困惑,她们的人物形象也在不同阶段表现出不同的特色,女性无法完成对现实的突破,便只能妥协。Sweet-scented Osmanthus in Belated Bloom,which was written by Yu Dafu,shows us the Chinese feminine images in 1920s and 1930s perfectly.The heroine of the novel could be called as the women＇s miniature at that time,and they were victims of tradition who broke out of it and compromised in the breakthrough.The fall between ideality and reality and confrontation of new-old values deepened the female inner division.Their progressed and conservative concepts coexisted,and they struggled at different periods for various people and affairs,this led to the survival depression and confusion of traditional women.The images also displayed different characteristics at different periods.They could not realize the breakthrough of reality thus,only to compromise.

关 键 词：《迟桂花》 郁达夫 女性 传统 突破 妥协 

分 类 号：I206.6[文学—中国文学]