湖南花鼓戏传统剧本研究  

On Traditional Scripts of Hunan Flower-Drum Opera

作　　者：谭真明[1] 

机构地区：[1]长沙学院中文与新闻传播系,湖南长沙410003

出　　处：《湖南科技大学学报（社会科学版）》2011年第1期84-87,共4页Journal of Hunan University of Science and Technology(Social Science Edition)

摘　　要：湖南花鼓戏传统剧本的演变可分为三个时期。早期以民歌民调为主,基本没有情节。中期题材扩大,加入了更多的人物和情节。晚期趋于成熟。剧本题材的来源有四:一是从现实生活中直接取材,二是从民间歌舞艺术中生发题材,三是从民间传说故事和民间神话中抽绎题材,四是从其他剧种中移植题材。剧本的文学特点有三:一是在戏剧冲突上,重情趣而轻情节,二是在人物形象塑造上,通过就事论人、集中刻画的方法,塑造个性化而非典型化的人物形象,三是在语言风格上,简练、生动、富有形象感和动作感,具有浓郁的生活气息。The evolution of traditional scripts of Hunan Flower-Drum Opera can be divided into three periods.The Early period is mainly about Folk tune and folk songs;In the medium-term,themes has been expanded,including more characters and plot.In the later period,Hunan Flower-Drum Opera has become mature.There are four themes from the scripts： First,drawn directly from real life,and second,germinated from the folk song and dance,third,abstracted from folklore,stores,mythology,and fourth,transplanted from other forms of drama.There are three features of literary script： First,in the conflicts of theater,it is valued interests but not plot,second,in the characterization,through focusing on characterization and on the matter of people,writers create personalized and atypical of the characters,third,in the language style,it is concise,lively,full of sense of action and rich flavor of life.

关 键 词：湖南花鼓戏 传统剧本 发展概貌 题材来源 文学特点 

分 类 号：I239[文学—中国文学]