《辋川集》的经典化和辋川模式的建立  

The Classicization of Collected Poems about Wangchuan and the Establishment of Wangchuan Mode

作　　者：袁晓薇[1] 

机构地区：[1]合肥师范学院中文系,安徽合肥230061

出　　处：《深圳大学学报（人文社会科学版）》2011年第1期93-99,共7页Journal of Shenzhen University：Humanities & Social Sciences

基　　金：安徽省教育厅人文社会科学重点研究项目"王维诗歌接受史研究"(2010sk289zd)

摘　　要：后人对《辋川集》的接受不仅是诗歌艺术的论析和诗歌意蕴的阐释,更突出地表现为对一种精神境界和人格范型的认同与向往。历代文人围绕辋川别业的吟咏感慨和心慕手追塑造了具有原型意义的"辋川模式",其内涵主要包括经典园林的构建模式、文人雅集酬唱的吟游方式、亦官亦隐的处世方式,以及调理性情、回避矛盾的人格精神。较之陶渊明的"桃源","辋川模式"对士人有更大的现实吸引力。The acceptance of Collected Poems about Wangehuan by the readers of later generations has been not only due to their analysis of WANG Wei＇s poetical art and the deciphering of the poetical implication, but more particularly to the identification of and longing for a spiritual plane and a paradigm of personality. The poetry-composing and-chanting, the sighing with emotions and the adoring and imitating around and about Wangchuan Villa by the literati of all the previous generations have modeled a ＂Pattern of Wangchuan＂ with a prototypical significance, whose implication includes the way of building classical garden architectures and designing landscapes, the way of literati＇s gathering and conducting their literary activities, the way of communicating with people as both officials and a hermits and the way of adjusting their sentiments and moods and avoiding contradictions and their personality and integrity. This ＂Pattern of Wangchuan＂, in comparison with the ＂Peach-blossom Springs＂ of TAO Yuan-ming, has had greater attraction to the men of letters.

关 键 词：辋川集 接受史 辋川文化 辋川模式 

分 类 号：I206.2[文学—中国文学]