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作 者:张鹏飞[1]
机构地区:[1]安徽亳州师范高等专科学校中文系
出 处:《中华女子学院学报》2011年第1期89-93,共5页Journal of China Women's University
基 金:安徽省教育厅人文社科基金课题"安徽地方文化的人文境况及拓展趋势研究"的部分研究成果;项目编号:2009SK482
摘 要:《金瓶梅》小说叙事摹写的众多女性典型形象建构中,凸显着明代社会情欲声色的炽烈、欲望描述的露骨和女权意识的膨胀,事实是在旧的社会规范日趋衰弱而新的社会准则尚未健全的情况下的刻意彰显,并在某种程度上体认着世人以极端的方式弘扬人性、荡涤束缚、追逐功利的精神文化旨归。可以说,明末社会所追求的奢侈淫靡之风与思想文化领域的离经叛道契合融通,并张扬着女性生命主体抗争意识的日趋觉醒。The numerous feminine typical image constructions in narrative facsimile of the novel Jin Ping Mei high-lights blazing sexual passion, undisguised desire description and inflation of women's rights consciousness in the Ming Dynasty. These are manifested under the conditions that the old social norm is increasingly weak and the new social criterion not yet constructs completely. To some degree, these are the soul objective of developing human na- ture, getting rid of restrictions and pursuing utility through extreme way by the common people. It can be said that the conjunction of extravagant obscene pursued in social reality life and nonconformity in culture domain displays the increasingly awakening of resisting consciousness of feminine subjectivity at the end of the Ming Dynasty.
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