王维诗歌与华兹华斯诗歌中的画意探究  

A Research on the Painting Meanings of Wang Wei and Wordsworth's Poems

作　　者：郎琴芳[1] 彭娜娜[1] 

机构地区：[1]安徽农业大学外国语学院,安徽合肥230036

出　　处：《长春师范大学学报（人文社会科学版）》2011年第1期98-102,共5页Journal of Changchun Teachers Coliege

基　　金：安徽省教育厅青年基金项目(2010SQRW041);安徽省教育厅重点教研项目(20100287);安徽农业大学教学研究项目(09jy026);安徽农业大学多媒体研究项目

摘　　要：诗与画具有共通之处,"诗情画意"的艺术美感在中国盛唐诗人王维和英国浪漫主义大师威廉.华兹华斯的诗歌中表现得极为明显,二人诗歌创作的绘画技巧、构图方法和指导思想都有异曲同工之妙。诗与画作为表达美的艺术形式而存在,寄托感情、陶冶情操是其意义之一。这也正是诗画可以融合的原因。基于这种共性,诗可以呈现画的意境,画可以表达诗的情趣。"诗中有画,画中有诗"这一现象是诗画不断发展的结果。Poetry and painting have something in common.The artistic aesthetical feeling of ＂poetry＇s emotion and painting＇s image＂ is clearly reflected in the poems of Wang Wei of Chinese Tang Dynasty and the great English romantic poet William Wordsworth.The originalities of their poetry creation are similar,especially in the drawing skills,the methods of constructing pictures and guidelines.In fact,poetry and painting exist as an art expressing beauty.Finding a sense of belonging and elevating soul is one of their meanings,which accounts for why poetry and painting can be mixed.So poetry can deliver the mood of painting and painting can deliver the implication of poetry.The combination of poetry and painting is the result of their development.

关 键 词：绘画技巧 构图方法 指导思想 

分 类 号：I106.2[文学—世界文学]