《马路天使》:新市民电影的经典之作——基于左翼电影和国防电影背景的审视  

Malu Tianshi: Classical Film of New Citizens in the Context of Left Wing Films and National Defence Films

作　　者：袁庆丰[1] 

机构地区：[1]中国传媒大学媒体管理学院,北京100024

出　　处：《汕头大学学报（人文社会科学版）》2011年第1期34-38,95+2,共5页Journal of Shantou University(Humanities and Social Sciences Edition)

摘　　要：《马路天使》的新市民电影属性,决定了影片中左翼电影思想元素和国防电影(运动)背景的表现。而影片对视听语言中歌舞元素尤其是主题曲的强化运用,不仅巩固了新市民电影在1937年抗战爆发前后的主流地位、扩大了其世俗主题思想的传播和影响,更重要的是,其经典制作模式和承载的民族精神,成功地避免了战争对陷期区电影民族文化及风格的摧残,为战后中国国产电影的快速复兴奠定了思想和艺术基础。Malu Tianshi,as a film of new citizens,decided that there would be the reflections of the elements and thought of Left Wing films and the background of national defence movement.The strengthening of the singing and dancing,especially the thematic music,not only solidified the mainstream status of the new citizens films around 1937 when Anti-Japanese War broke out,but also its classical production types and the national spirit it conveyed successfully avoided the destruction that the war brought to the national culture and the style of the films in Japanese invaded areas,thus laying a foundation of thought and art for the rapid restoration of the Chinese movies after the war.

关 键 词：左翼电影 国防电影(运动) 新市民电影 歌舞元素 民族风格 传播效果 

分 类 号：J972.6[艺术—电影电视艺术]